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Question 1

A cluster of well-dressed men in stiff white collars lean in around a pale corpse laid on a table, while a physician in a broad hat lifts the muscles of the dead man's forearm with forceps to show how they pull. Painted in Amsterdam in 1632 for a guild of surgeons. Painting

Question 2

Around a table in a plain room, a group of countrymen in hats sit quietly absorbed in the hands they hold, a standing man watching over them and a child looking on, every shape simplified into blocks of muted colour. Painted in the south of France in the early 1890s. Painting

Question 3

In the front of a lush green landscape a soldier stands on the left while a nearly naked woman nurses a baby on the right; between and behind them a small town waits under a gathering storm split by a bolt of lightning. Painted in Venice around 1508; nobody agrees what it means. Painting

Question 4

A woodblock print in which a barrel-maker squats inside a huge half-finished round wooden tub he is hooping, and framed neatly inside the ring of the tub, far in the distance, sits a small snow-capped cone-shaped mountain. Made in Japan in the early 1830s. Painting

Question 5

A very long, narrow horizontal handscroll, meant to be unrolled one section at a time, showing hundreds of tiny figures, boats, market stalls, camels and a great arched wooden bridge in a bustling old Chinese capital in springtime. Painted roughly 900 years ago. Painting

Question 6

Seen from a hilltop, three tired men and a straggling pack of dogs trudge home across a frozen white landscape toward a village where tiny figures skate on ponds, jagged mountains far off. Painted in 1565 as one of a set of pictures showing the seasons of the year. Painting

Question 7

A tall painting in two halves: below, a row of black-clad Spanish gentlemen watch two saints in gold robes lower an armoured body into a tomb; above, the clouds break open and the soul, a small ghostly shape, is carried up toward heaven. Painted for a Toledo church in 1586. Painting

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